Apple logic pro vs ableton live8/26/2023 ![]() ![]() The Step Sequencer, however, is a well implemented feature that’s equally adept at rhythm and melodic sequencing. Early versions lacked any form of drum grid, and even the Step Editor, which was part of Logic Pro X pre-10.5, was underwhelming. Logic’s history with step sequencing has been somewhat checkered. Pattern Loops are an important part of the Live Loops functionality, and work in conjunction with the new step-sequencing feature, used to trigger a variety of virtual instruments such as the new Quick Sampler or the improved Drum Machine Designer. The 10.5 update includes the new loop format Pattern Loop. If you prefer physical controllers, fear not: Novation’s Launchpad series integrates perfectly with Live Loops. For example, the multi-touch interface can be used to trigger multiple loops at once or, in the case of Remix FX, the X/Y pads can track the physical tilt of the iPad or iPhone. In many ways, Live Loops and Remix FX spring to life when used in conjunction with a touchscreen interface, as opposed to being hampered by the point-and-click limitations of a mouse. Integral to both Remix FX and Live Loops is the updated Logic Remote app for iPhone and iPad. Despite being principally designed to work across the main output, there’s no reason Remix FX couldn’t be applied to single instruments or groups of instruments within a mix. ![]() Additional controls also feature a gate, bit reduction, reverse, virtual scratching, and a stop control, making it possible to perform a range of impulsive DJ-like sonic deconstructions. The plug-in boasts two prominent X/Y pads, which can be loaded with a number of different effects, including Filter, Wobble and Repeater. In keeping with the performative nature of Live Loops, the new plug-in Remix FX allows for unique gestural control over Logic Pro X’s main output or, for that matter, any other audio track or instrument. Comfortably the most game-changing element of Live Loops, however, is that it can be used as a performance-based system that allows songs to be restructured and remixed live on stage. For those that enjoy working with loop-based composition, though, Live Loops makes for a rewarding experience, allowing you to explore creative loop combinations and unusual triggering points on the fly. They will likely be a large cohort of Logic Pro X users that will gloss over the Live Loops feature, largely because their workflow is engrained into Logic’s linear timeline. What’s most exciting, though, is that you can record your Live Loop performance into the familiar Tracks area, which bridges the gap between the two work methods. The cells are divided into a series of scenes, presented in columns, that facilitate groups of loops being triggered simultaneously – think of these scenes as the verse, chorus and middle eight of a traditional song structure. Logic Pro X’s Live Loops interface exists as a series of cells, each of which can be loaded with a loop, which can come in the form of an Apple Loop, a virtual instrument or an audio recording. Instead, it’s a different means of recording and triggering musical material that sits alongside (literally, in this case) the traditional Tracks area. Most important, though, is that it isn’t a replacement to Logic Pro X’s track lane system. As you’d expect, the implementation of Live Loops has a reassuringly Apple feel to it, meaning that it’s well integrated with other parts of the application and boasts a clear and informative GUI. The most prominent change to Logic Pro X is the addition of Live Loops, which transform Logic from a timeline-based DAW to a production tool that facilitates the kind of loop-based nonlinear composition pioneered by Ableton. The question, then, is whether Logic Pro X remains the most flexible all-rounder or whether Apple has taken steps towards new ways of working. Under the bonnet, however, there are updated attributes that will likely be welcomed by existing pro users. ![]() Based on the new headline features, which include Live Loops, Remix FX, and the Step Sequencer, the Californian giant seems to be gearing its latest update towards hip-hop and EDM producers, having adopted some capabilities that have long made Ableton’s Live such a beloved option. Assessing new versions of this DAW is about identifying the direction Apple has chosen to take it. ![]()
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